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What We Owe to Each Other: Live at Cud​-​Chewing Country

by Cadence Chung

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1.
Full poem by Pippi Jean, first published on NZ Poetry Shelf: Is teething at the river mouth. Burrowing down. Between the dirt and wild things. Frozen breathing, rain, this place, is smoking from the mountainside. Is setting bush on fire. Is suspended by wire pins. Browning alpine sunshine slunk onto muck. Sky and the sailing moors, all bright descended pictures, falling on the roof. Is passing under cars. Is passerby. Non-belonging. Beating trails where the road hitches and pulls from snow, matted scrubland, country laid in bird formation. Is burnt-out with believing. Festering. Splintered. Usually self-inflicted.
2.
My City 04:16
Full poem by Pippi Jean, first published on NZ Poetry Shelf: drawing blank amber cartridges in windows from which we see children hanging, high fires of warehouse colours, a reimagining, my city fluttering far and further away with flags netted and ziplining west to east, knotted and raining sunshine, paving cinder-block-lit-tinder music in alleys where we visit for the first time, signal murals to leapfrog smoke, a wandering, my city gathering close and closer together a wilderness of voices shifting over each other and the orchestra, constructing silver half-heresies in storefronts to catch seconds of ourselves, herald nighttimes from singing corners, a remembering, my city resounding in and out the shout of light on water and people on water, the work of day and each other, my city in the near distance fooling me into letting my words down, my city visible a hundred years from tomorrow, coming out of my ears and forgiving me, until i am disappeared someways and no longer finding me to you
3.
11:11 02:51
Full poem by Pippi Jean, published in Best New Zealand Poems: The hometown at nighttime smells like resin and water and the flicking off of light switches, of crickets and motorway noise, of cold that slips about your neck like a wet towel. Winged things scatter in the grass; houses leak onto the street: jigsaw pieces of porches and timber weatherboards painted white. Lamplight, goodnight stories, a clatter of voices like the scraping of a plate. The trees stand solitary. Clouds wring the odd star out of the dark. We’re walking on nothing. We’re the road, unlined.
4.
Full poem by Pippi Jean, first published in Starling Magazine: The difference between you and me is you are willing to let your heart take a battering because your heart is a suit of armour in the tomb under Vergina projecting its winged glittering across the museum inviting all the visiting children to veer closer each hand out to either side grabbing at glass cases steering blind then to peer between the letters in a brochure and misinterpret you as an artefact lost for a thousand million years declare you they’ve found you although you were dug up right where you were meant to lie. The difference is you can die believing in something. I am one of those children crouched in a corner with my heart, burying.
5.
Full poem by Pippi Jean, first published in Starling Magazine: here is my space acres and acres of it down to the ocean nettled with small patters of sheep fields dyed dark dying amber blanket fuzz of dust in the air lisp of light at the the twin peaks of Taranga Island fantails slinging through scrub i remember those peaks from year 8 camp as crayon scratches at the sunset early moon in the late blue electric fence rattle-spark bug-sting bug-sting the creek we haven’t found, roaring bug-sting frail scrape castles built of water towers of divining rods water tanks and flowers road grown in dry grass first star the dark, the cold. my cold. my dark. do you see it? i give you all of this: i give you our newslady ringing tinny across the valley & disappearing into the bush

about

This cycle for mezzo-soprano and soprano is set to a selection of poems of Pippi Jean, all written while she was in high school. I've known of Pippi's work for a long time, and these high school poems were some of the first of hers I read. They instantly struck me with their adolescent honesty, their rapid-fire imagery, their acerbic bite. I spent the summer holidays after my first year of university composing this cycle, centering it around two character voices of young lovers. Throughout its gentle melodic contours, everyday facets of contemporary Aotearoa are depicted: shimmering town-square bells, light shining on Taranga Island, fantails swooping through the bush.

This was performed live as part of Cud-Chewing Country: New Zealand Composers and Poets in Concert, with generous support from the Wellington City Council Creative Communities scheme.

CREDITS
Soprano: Sarah Mileham
Mezzo-soprano: Cadence Chung
Piano: Amelia Lin
Audio production: Kassandra Wang

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released August 7, 2023

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about

Cadence Chung Wellington, New Zealand

Cadence Chung is a poet, composer, musician, and student from Te-Whanganui-a-Tara. Her poetry has been published widely, with her debut chapbook 'anomalia' released in April 2022 with Tender Press. Her original musical 'In Blind Faith' debuted at BATS Theatre in August 2022, and she is currently studying Classical Voice at the New Zealand School of Music. ... more

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